Hand knitted shawls made from the fibre of the giant Himalayan nettle.
In the Himalayas of northern India, on the border between Tibet and Nepal, is Kumaon, one of the most beautiful and untouched areas of India. From there you can see the five snow-covered peaks of the Panchachuli mountain range. Panchachuli means “the five brothers” and is one of the highest mountain ranges in India. At the foot of the Panchachuli range is a cooperative of village women who use their traditional skills to produce beautiful products from high-quality raw materials. Panchachuli Women Weavers is a development program, which facilitates economic and social independence for women in the Indian Himalayas using the traditional arts of weaving and knitting. The project has given the women an alternative way of earning their living and has contributed significantly to the structural development of the Kumaon region.
Over 800 women from a total of 32 villages in the region are involved in the processing of raw materials and the production of high-quality woven and knitted products. The women are all shareholders in the cooperative as well as receiving regular wages. A specialty of the Panchachuli women weavers is the treatment and processing of the giant nettles which grow in the Himalayan plateaus. The plant grows in large quantities in the region each year and is collected by the women in spring in the woods and fields using sustainable harvesting practices. The nettle, known locally as allo, boasts the longest fibres in the plant kingdom producing exceptionally strong, hard-wearing but soft products. The processing of the nettle bark into yarn is a complicated process: the fibres are boiled, beaten to a pulp, bleached with chalk and then soaked. Then they have to be washed before they can be further processed to make the fine thread which is then knitted into these beautiful shawls.
We are happy to announce that our gorgeous bags made from recycled tribal textiles have finally arrived!
If you remember the 70s with a fondness for cheesecloth and embroidery, are an aging hippy, a nouveau hippy or just appreciate authentic tribal textiles: this is the real deal!
The ladies of western Gujarat, India, have a long tradition of embellishing their clothes with fine stitchery and mirror work. After the costume is no longer usable, the textiles are still highly valued as they have taken years to create, so they are recycled into new creations like these great little bags we have in store.
Our RetroGlam necklaces, made by moi, Beverley Bloxham, are made from no ordinary buttons and buckles. These babies have kept themselves nice down through the ages (well, from the mid 20th century), dodging the needle and thread, sidestepping cardies and coats, frocks and all manner of frippery to arrive clean and virginal in my button box. Maintaining their roots, they sport their vintage credentials in the pastel palette and strong geometric designs.
Pashmina fibre was originally designed to keep baby cashmere goats warm in the Himalayas.
The Changthangi or Pashmina goat is a breed of goat from Tibet or neighbouring areas in the Ladakhi Changthang, usually raised for meat or cashmere wool – known as pashmina once woven.
These goats grow a thick, warm fleece. They survive on grass in Ladakh, where temperatures plunge to as low as −20 °C . These goats provide the wool for Kashmir’s famous Pashmina shawls.
Note: the word ‘pashmina’ has been purloined by some manufacturers to describe any long scarf or shawl in any fibre including synthetics. This can be very confusing to buyers. True pashmina is the fibre from the young Changthangi or Pashmina goat.
Wash your precious pashmina product the same way you would your own hair: a gentle handwash in warm water and shampoo. To dry, squeeze dry inside a towel and dry flat in shade.
Rajasthan in western India is well known for many things, block printed fabrics being one of them. In my research for fair trade goods, I had found a small organisation in Bagru village outside Jaipur, where the artisans are paid very well, are shareholders and receive annual dividends. I made contact with them before I left Australia and was very eager to meet the block carvers, dyers and printers at work. Bagru is known for natural dyes and hand block printing and the Chippa community there has been block printing for 350 years, developing a unique process of printing with natural vegetable dyes. Getting to Bagru village was a bit of a drama, but so worth it in the end. I had made enquiries about local buses that would take me there from Jaipur, but I had managed to get to the wrong bus stop and wasted some time for a bus that would never come. Continue reading →
We have found some great tribal lost wax bronze castings made in the thousands of years old traditional way – some are recently made and some we purchased from a private collection of antiques.
Known as Dhokra, this is an ancient craft that scholars believe to be at least 4500 years old. Artisans in the Indian states of Madhya Pradesh, Bihar, Orissa and West Bengal are still using this method to create jewelry, vessels, images of gods, goddesses, animals and birds and works from the imagination. Many are farmers who supplement their income in the summer months when the beeswax used to create the fine detail is supple and easy to work.
Using a coarse clay the artisan first makes a core vaguely resembling the end product. The clay core is hardened either by drying in the sun or Continue reading →
Winter has arrived in the southern hemisphere and we have some gorgeous warmth generating devices from one of the coldest places on the planet.
It gets so cold in the Himalayas that even the goats have developed clever ways of keeping warm. The Changthangi or pashmina goats have developed exceptionally warm and light fiber that not only insulates them from the sub-zero temperatures, but also makes some of the softest, warmest textiles you would ever want next to your skin.
All these winter warmers are made from hand-spun fibre which has been dyed from natural sources* and hand-woven into the most beautiful cloth.
After six months in India, I have arrived home with lots of stories and lots of stock for KASU EMPORIUM.
Parcels filled with goodies are starting to arrive from India, and unpacking them fills me with memories of the places I have been and the people I’ve met in the search for this lovely stock. I will be telling some of those stories soon, so stay tuned.
Note the calico wrapping sealed with red wax – official India Post wrapping.
Pumpkin is staying close by after a long separation!
I have been using some tools like this for years and they are some of my favourite things in the kitchen. So, on a recent trip to India as I kept an eye out for them to add to KASU stock.
I found this stock at a Mussoorie street market and bought as many as I could fit into my small backpack, hoping that Australian quarantine services would not seize them. Happily, they didn’t and so we now have limited stock at KASU EMPORIUM. They came tied up with string like the brown paper packages from the song “Some of my favourite things”.Continue reading →